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Cartoon - Going to Be Quite A Stretch. | McCord Museum
Presque inatteignable
Presque inatteignable

Cartoon

Going to Be Quite A Stretch.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 28.8 cm
Origin Canada
Object NumberM965.199.5995
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Big Stretch.
The Big Stretch.
John Collins
1943/01/13
M965.199.1993
Jimmy, Jimmy, Quite Contrary How Does Your Garden Grow ?.
Jimmy, Jimmy, Quite Contrary How Does Your Garden Grow ?.
John Collins
About 1949
M965.199.1372
"Frankly, this Isn't Quite what I Had in Mind".
"Frankly, this Isn't Quite what I Had in Mind".
John Collins
1963
M965.199.7259
Heading Into the Home Stretch.
Heading Into the Home Stretch.
John Collins
1952
M965.199.6125
Into the Home Stretch.
Into the Home Stretch.
John Collins
1942/07/02
M965.199.3406
He'll Need Quite a Salestalk for the Next Customer.
He'll Need Quite a Salestalk for the Next Customer.
John Collins
About 1950
M965.199.9782
"Not Quite Our Style, Eh, Howard.
"Not Quite Our Style, Eh, Howard.
John Collins
About 1961
M965.199.8966
Quite a Load for the Easter Bunny.
Quite a Load for the Easter Bunny.
John Collins
About 1959
M965.199.5061
Quite a Kick.
Quite a Kick.
John Collins
About 1956
M965.199.365
Not Quite as Easy as It Looked.
Not Quite as Easy as It Looked.
John Collins
1958
M965.199.9100
Quite a Country If We Could Only See It.
Quite a Country If We Could Only See It.
John Collins
1965
M965.199.1536
One Gobbler Still Going Strong.
One Gobbler Still Going Strong.
John Collins
About 1951
M965.199.7717

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.