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Cartoon - Sugar Coating. | McCord Museum
Dorer la pilule
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Dorer la pilule

Cartoon

Sugar Coating.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1949
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.0 x 29.0 cm
Origin Canada
Object NumberM965.199.5986
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Sugar Coated.
Sugar Coated.
John Collins
About 1955
M965.199.5254
While Visions of Sugar Plums Danced in their Heads.
While Visions of Sugar Plums Danced in their Heads.
John Collins
About 1965
M965.199.972
A Spoonful of Sugar Helps the Medicine Go Down.
A Spoonful of Sugar Helps the Medicine Go Down.
John Collins
About 1965
M965.199.1585
"While Visions of Sugar Plums Danced in their Heads".
"While Visions of Sugar Plums Danced in their Heads".
John Collins
1967
M965.199.9275
Midi Coatings for Spring
Midi Coatings for Spring
Georgine Strathy
1971
M2017.118.538
New Coatings are Narrow, Knitted And Have the Knack For Travelling South !
New Coatings are Narrow, Knitted And Have the Knack For Travelling South !
Eugenie Groh
1966
M2017.118.380
While Visions of Sugar Plums Danced in His Head.
While Visions of Sugar Plums Danced in His Head.
John Collins
About 1964
M965.199.1670
A Little Bit of Sugar.
A Little Bit of Sugar.
John Collins
About 1966
M965.199.858
Sugar Shortage.
Sugar Shortage.
John Collins
1942/07/20
M965.199.3419
Left Over Toys.
Left Over Toys.
John Collins
1952
M965.199.7719
Ottawa's Barber Shop.
Ottawa's Barber Shop.
John Collins
About 1946
M965.199.9968
And We Hope they Live Happily Ever After.
And We Hope they Live Happily Ever After.
John Collins
About 1946
M965.199.452

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.