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Cartoon - Not What He Used to Be. | McCord Museum
Il n'est plus ce qu'il était
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Il n'est plus ce qu'il était

Cartoon

Not What He Used to Be.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1967
Medium / Technique Ink, graphite on Cardboard
Dimensions36.9 x 29.7 cm
Origin Canada
Object NumberM965.199.5834
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Highly Recommmended-He Used It Himself.
Highly Recommmended-He Used It Himself.
John Collins
1940/09/25
M965.199.1898
The Old Gray Mare Ain't What She Used to Be.
The Old Gray Mare Ain't What She Used to Be.
John Collins
About 1963
M965.199.7269
Not What He Expected.
Not What He Expected.
John Collins
About 1944
M965.199.4454
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Not What He Expected.
Not What He Expected.
John Collins
About 1948
M965.199.3641
Not Exactly What He Wanted.
Not Exactly What He Wanted.
John Collins
About 1952
M965.199.8825
Look What He Dug Up.
Look What He Dug Up.
John Collins
About 1952
M965.199.8458
Seeing What He Can Pick Up.
Seeing What He Can Pick Up.
John Collins
About 1967
M965.199.6442
What Does He Have Up His Sleeve ?.
What Does He Have Up His Sleeve ?.
John Collins
About 1952
M965.199.5402
Picture Puzzle: Guess What He's Aiming At.
Picture Puzzle: Guess What He's Aiming At.
John Collins
About 1959
M965.199.5229
What Does He Have Up His Sleeves ?.
What Does He Have Up His Sleeves ?.
John Collins
About 1959
M965.199.5135
"What Is He Going to Say ?".
"What Is He Going to Say ?".
John Collins
1965
M965.199.1462

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.