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Cartoon - The Boy Stood on the Burning Deck. | McCord Museum
Il refuse de changer de cap
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Il refuse de changer de cap

Cartoon

The Boy Stood on the Burning Deck.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1953
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.9 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.575
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Boy Stood on the Burning Deck.
The Boy Stood on the Burning Deck.
John Collins
About 1955
M965.199.7384
The Boy Stood on the Burning Deck.
The Boy Stood on the Burning Deck.
John Collins
About 1958
M965.199.6160
The Boy Stood on the Burning Deck Eating Peanuts by the Deck !.
The Boy Stood on the Burning Deck Eating Peanuts by the Deck !.
John Collins
About 1956
M965.199.8665
The Boy Stand on the Burning Deck.
The Boy Stand on the Burning Deck.
John Collins
1941/02/03
M965.199.3028
The Boy Stood.
The Boy Stood.
John Collins
About 1954
M965.199.9923
We Have Our Book Burnings Too.
We Have Our Book Burnings Too.
John Collins
1953
M965.199.6094
Burning Question.
Burning Question.
John Collins
About 1947
M965.199.8427
Another Draft Card Burning.
Another Draft Card Burning.
John Collins
About 1965
M965.199.956
Keep the Home Fires Burning !.
Keep the Home Fires Burning !.
John Collins
1941/07/29
M965.199.3170
Burning the Scandal at Both Ends.
Burning the Scandal at Both Ends.
John Collins
About 1966
M965.199.904
Keeping the Home Fires Burning.
Keeping the Home Fires Burning.
John Collins
1944-1945
M965.199.4830
Burning His Candle at Both Ends.
Burning His Candle at Both Ends.
John Collins
1943/01/22
M965.199.2001

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.