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Cartoon - In the Ottawa Art Gallery. | McCord Museum
À la galerie d'art d'Ottawa
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À la galerie d'art d'Ottawa

Cartoon

In the Ottawa Art Gallery.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1955
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.1 x 29.3 cm
Origin Canada
Object NumberM965.199.5260
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
In the European Art Gallery.
In the European Art Gallery.
John Collins
About 1952
M965.199.9861
Uno Who's National Gallery-Sculpture Section.
Uno Who's National Gallery-Sculpture Section.
John Collins
1956
M965.199.8145
In the Visitors' Gallery.
In the Visitors' Gallery.
John Collins
About 1947
M965.199.350
Why Not Some Sculpture for the National Gallery ?.
Why Not Some Sculpture for the National Gallery ?.
John Collins
About 1954
M965.199.7907
From Our Gallery of European Masterpieces.
From Our Gallery of European Masterpieces.
John Collins
About 1966
M965.199.1416
More Art Thieves.
More Art Thieves.
John Collins
About 1961
M965.199.3713
The Art of Self Defence.
The Art of Self Defence.
John Collins
About 1962
M965.199.3725
"You Know What Art Critics Are Like".
"You Know What Art Critics Are Like".
John Collins
About 1966
M965.199.825
Canadian War Art.
Canadian War Art.
John Collins
About 1944
M965.199.5724
Masterpieces from Uno Who's National Gallery.
Masterpieces from Uno Who's National Gallery.
John Collins
About 1963
M965.199.9178
Ottawa's Barber Shop.
Ottawa's Barber Shop.
John Collins
About 1946
M965.199.9968
Traffic Conditions Are Bad in Ottawa Too.
Traffic Conditions Are Bad in Ottawa Too.
John Collins
About 1946
M965.199.9977

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.