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Cartoon - Trying to Arouse Ferdinand. | McCord Museum
Le toréador et le taureau
Le toréador et le taureau

Cartoon

Trying to Arouse Ferdinand.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1957
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.2 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.516
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Ferdinand Is in No Hurry.
Ferdinand Is in No Hurry.
John Collins
About 1961
M965.199.9033
Operation Ferdinand.
Operation Ferdinand.
John Collins
About 1961
M965.199.8985
Poor Old Ferdinand.
Poor Old Ferdinand.
John Collins
1965
M965.199.1474
Trying to Explain the Value of Pulling Together.
Trying to Explain the Value of Pulling Together.
John Collins
About 1960
M965.199.9371
Trying to Disown His Own Offspring.
Trying to Disown His Own Offspring.
John Collins
About 1960
M965.199.3953
The Quarterback is Trying to Get Rid of the Ball.
The Quarterback is Trying to Get Rid of the Ball.
John Collins
1948-1949
M965.199.9416
Trying to Call it Back.
Trying to Call it Back.
John Collins
1956
M965.199.1252
Trying to Hit Two Birds with one Stone.
Trying to Hit Two Birds with one Stone.
John Collins
About 1952
M965.199.5451
Trying to Ride Off in All Directions at Once.
Trying to Ride Off in All Directions at Once.
John Collins
About 1949
M965.199.8352
Trying to Restore the Balance.
Trying to Restore the Balance.
John Collins
About 1947
M965.199.8426
Trying to Tame the Mustangs.
Trying to Tame the Mustangs.
John Collins
1945
M965.199.2458
Trying to Fish Both Sides of the Boat.
Trying to Fish Both Sides of the Boat.
John Collins
About 1956
M965.199.1021

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.