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Cartoon - The Big One that Must Not Get Away. | McCord Museum
Le gros poisson qui ne doit pas s'échapper
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Le gros poisson qui ne doit pas s'échapper

Cartoon

The Big One that Must Not Get Away.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1945
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions38.2 x 28.1 cm
Origin Canada
Object NumberM965.199.4776
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
A Big One that Didn't Get Away.
A Big One that Didn't Get Away.
John Collins
1942/05/08
M965.199.3447
We Can't Let the Big One Get Away.
We Can't Let the Big One Get Away.
John Collins
About 1957
M965.199.6375
The Big Ones Always Seem to Get Away.
The Big Ones Always Seem to Get Away.
John Collins
About 1951
M965.199.7811
THIS BIG ONE MUSTN'T GET AWAY.
THIS BIG ONE MUSTN'T GET AWAY.
John Collins
About 1946
M965.199.2586
THE BIG ONE THAT SHOULDN'T GET AWAY.
THE BIG ONE THAT SHOULDN'T GET AWAY.
John Collins
About 1946
M965.199.2582
The Big One that Didn't Get Away.
The Big One that Didn't Get Away.
John Collins
About 1953
M965.199.707
The Big One that Got Away.
The Big One that Got Away.
John Collins
About 1947
M965.199.8172
The Big One That's Getting Away.
The Big One That's Getting Away.
John Collins
About 1956
M965.199.8161
The Big One that Keeps Getting Away.
The Big One that Keeps Getting Away.
John Collins
About 1957
M965.199.5600
The Big One that Got Away.
The Big One that Got Away.
John Collins
1949
M965.199.8120
The Big One that Got Away.
The Big One that Got Away.
John Collins
1956
M965.199.9049
The Big Ones Keep Getting Away.
The Big Ones Keep Getting Away.
John Collins
About 1959
M965.199.5174

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.