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Cartoon - Time to Quiet Down. | McCord Museum
C'est le temps de se calmer.
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C'est le temps de se calmer.

Cartoon

Time to Quiet Down.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1945
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions36.0 x 28.8 cm
Origin Canada
Object NumberM965.199.4491
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
All Not Quiet on the Ottawa Front.
All Not Quiet on the Ottawa Front.
John Collins
1940-1945
M965.199.222
All Is Not Quiet on the Washington Front.
All Is Not Quiet on the Washington Front.
John Collins
About 1939
M965.199.4260
All Quiet on the Western Front.
All Quiet on the Western Front.
John Collins
1944
M965.199.5668
"Quiet, the Master Mind is Thinking".
"Quiet, the Master Mind is Thinking".
John Collins
1941/03/29
M965.199.3073
We Have to Come Down to Earth Some Time.
We Have to Come Down to Earth Some Time.
John Collins
About 1949
M965.199.5953
Down for the Third Time.
Down for the Third Time.
John Collins
About 1956
M965.199.8589
Before He Goes Down for the Third Time.
Before He Goes Down for the Third Time.
John Collins
About 1946
M965.199.5094
Time to Come Down to Earth.
Time to Come Down to Earth.
John Collins
About 1947
M965.199.1333
Time to Cut Down our Waste-Line.
Time to Cut Down our Waste-Line.
John Collins
About 1946
M965.199.9850
No Time to Take Down the Storm Windows.
No Time to Take Down the Storm Windows.
John Collins
About 1956
M965.199.8586
Time to Bring them Down to Earth.
Time to Bring them Down to Earth.
John Collins
1958
M965.199.6295
Time to Come Down to Earth.
Time to Come Down to Earth.
John Collins
About 1949
M965.199.671

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.