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Cartoon - Hanging Over His Head. | McCord Museum
... qui pend au-dessus de sa tête
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... qui pend au-dessus de sa tête

Cartoon

Hanging Over His Head.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1938-1939
Medium / Technique Ink, crayon and graphite on cardboard
Dimensions36.7 x 28.8 cm
Origin Canada
Object NumberM965.199.4349
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Going to Put His Head in the Lion's Mouth ?.
Going to Put His Head in the Lion's Mouth ?.
John Collins
About 1940
M965.199.4209
He Might Get in Over His Head
He Might Get in Over His Head
Normand Hudon
1964
M997.63.231
"Heresy-Off with his Head".
"Heresy-Off with his Head".
John Collins
About 1966
M965.199.1434
While Visions of Sugar Plums Danced in His Head.
While Visions of Sugar Plums Danced in His Head.
John Collins
About 1964
M965.199.1670
Looking Over His Shoulder.
Looking Over His Shoulder.
John Collins
About 1965
M965.199.1541
Hanging by a Thread.
Hanging by a Thread.
John Collins
1939
M965.199.4214
The Lifeguard Can Barely Keep His Own Head.
The Lifeguard Can Barely Keep His Own Head.
John Collins
About 1960
M965.199.10107
Putting His Head in the Lion's Mouth.
Putting His Head in the Lion's Mouth.
John Collins
1951
M965.199.8061
Putting His Head in the Lion's Mouth.
Putting His Head in the Lion's Mouth.
John Collins
1951
M965.199.7700
Gone to His Head.
Gone to His Head.
John Collins
About 1961
M965.199.7402
Maybe Leave a Little Wool to Pull Over His Eyes.
Maybe Leave a Little Wool to Pull Over His Eyes.
John Collins
About 1954
M965.199.7504
Leaving Us Hanging There.
Leaving Us Hanging There.
John Collins
About 1956
M965.199.8149

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.