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Cartoon - "But Isn't Boating Dangerous". | McCord Museum
Mais n'est-ce pas dangereux de faire du bateau?
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Mais n'est-ce pas dangereux de faire du bateau?

Cartoon

"But Isn't Boating Dangerous".
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1961
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.8 x 29.2 cm
Origin Canada
Object NumberM965.199.3653
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
A Dangerous Combination.
A Dangerous Combination.
John Collins
About 1948
M965.199.3599
Dangerous Plaything.
Dangerous Plaything.
John Collins
About 1958
M965.199.6280
Another Dangerous Artificial Sweetener.
Another Dangerous Artificial Sweetener.
John Collins
About 1969
M965.199.6955
Very Clever but Very Dangerous.
Very Clever but Very Dangerous.
John Collins
About 1953
M965.199.9533
Dangerous Waters.
Dangerous Waters.
John Collins
About 1946
M965.199.55
Living in a Dangerous Neighborhood.
Living in a Dangerous Neighborhood.
John Collins
1940/04/27
M965.199.1780
Trying to Blame a Dangerous Weapon.
Trying to Blame a Dangerous Weapon.
John Collins
1942/07/08
M965.199.3410
A Dangerous Combination.
A Dangerous Combination.
John Collins
1944/04/07
M965.199.2346
But Our Relay Team Isn't Doing So Well.
But Our Relay Team Isn't Doing So Well.
John Collins
1954
M965.199.7560
The Defoliation Isn't Complete.
The Defoliation Isn't Complete.
John Collins
About 1964
M965.199.2827
The Little Men Who Isn't There-Officially.
The Little Men Who Isn't There-Officially.
John Collins
About 1953
M965.199.6093
It Isn't Exactly the Alps, Pierre.
It Isn't Exactly the Alps, Pierre.
John Collins
About 1970
M965.199.6429

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.