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Cartoon - Afghan women and slavery | McCord Museum
Les femmes afghanes et l'esclavage
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Les femmes afghanes et l'esclavage
Les femmes afghanes et l'esclavage
Due to rights restrictions, this image cannot be downloaded at a higher resolution. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Cartoon

Afghan women and slavery
Artist (Né / Born 1951)
SignatureL.r., GARNOTTE 2001-11-16
Date 2001
Medium / Technique Ink and graphite on card
Dimensions23 × 30.6 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Origin Montreal, Quebec, Canada
Object NumberM2009.50.131
DivisionDocumentary Art
CreditGift of Michel Garneau (Garnotte)
NotesThe second image presents the caricature as it was published in Le Devoir, after being finalized using drawing software.

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
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After the Michelin Guide… the O’Connor Guide to Afghan prisons?
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You’re right, my dear Maxime, the problem with the Afghans is that they don’t obey the law…
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Copy of an ordinance by intendant Jacques Raudot regarding slavery, issued on April 13, 1709
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In Canada, they want to prevent veiled women from voting
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Charest’s new cabinet: 18 ministers, including 9 women…
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Charest’s new cabinet: 18 ministers, including 9 women…
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This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.