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Cartoon - Waiting for the Groundhog. | McCord Museum
En attendant la marmotte
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En attendant la marmotte

Cartoon

Waiting for the Groundhog.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1947
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 29.4 cm
Origin Canada
Object NumberM965.199.2935
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Another Groundhog Sees His Shadow.
Another Groundhog Sees His Shadow.
John Collins
About 1949
M965.199.1373
The Groundhog Sees His Shadow.
The Groundhog Sees His Shadow.
John Collins
About 1970
M965.199.5751
In the series: Where’s Bin Laden? The Afghan groundhog didn’t see its shadow…
In the series: Where’s Bin Laden? The Afghan groundhog didn’t see its shadow…
Garnotte
2001
M2009.50.132
Thoughts While Waiting at a Bus Stop.
Thoughts While Waiting at a Bus Stop.
John Collins
About 1957
M965.199.505
Waiting Under the Mistletoe.
Waiting Under the Mistletoe.
John Collins
About 1953
M965.199.9073
Lady in Waiting.
Lady in Waiting.
John Collins
1949-1950
M965.199.5097
We're Waiting for Your Answer, Nikita.
We're Waiting for Your Answer, Nikita.
John Collins
About 1961
M965.199.3646
Waiting for the Budget to Come Up.
Waiting for the Budget to Come Up.
John Collins
About 1947
M965.199.1318
Crowded Waiting Room.
Crowded Waiting Room.
John Collins
About 1956
M965.199.5475
Still Waiting at the Church.
Still Waiting at the Church.
John Collins
About 1946
M965.199.9847
Waiting for a Prince Charming.
Waiting for a Prince Charming.
John Collins
About 1952
M965.199.5546
Still Waiting Under the Mistletoe.
Still Waiting Under the Mistletoe.
John Collins
About 1948
M965.199.8579

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.