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Cartoon - When Two's a Crowd. | McCord Museum
Pas de place pour deux
Pas de place pour deux

Cartoon

When Two's a Crowd.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1963
Medium / Technique Ink, coloured pencil, watercolour on Paper
Dimensions37.1 x 28.9 cm
Origin Canada
Object NumberM965.199.2750
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Two's Company.
Two's Company.
John Collins
1940/01/29
M965.199.1706
When We Try to Crowd Too Much Into It.
When We Try to Crowd Too Much Into It.
John Collins
About 1968
M965.199.6997
Two's Company
Two's Company
Rostap
1905
M2001X.6.43.5.60
When You Try Doing Things Around the House.
When You Try Doing Things Around the House.
John Collins
1963
M965.199.2742
When Talking about our Commitments.
When Talking about our Commitments.
John Collins
About 1963
M965.199.7299
When it comes to crowd control, Vancouver can teach Quebec a few tricks!
When it comes to crowd control, Vancouver can teach Quebec a few tricks!
Serge Chapleau
1998
M2000.93.144
When You Want to Probe the Spending Stratosphere.
When You Want to Probe the Spending Stratosphere.
John Collins
About 1950
M965.199.5354
When Fidel Plays his Tuba Down in Cuba.
When Fidel Plays his Tuba Down in Cuba.
John Collins
About 1962
M965.199.7013
Three's a Crowd.
Three's a Crowd.
John Collins
About 1961
M965.199.8968
Three's a Crowd.
Three's a Crowd.
John Collins
1940-1945
M965.199.2429
When it Comes to Budget Time Please Be Our Valentine.
When it Comes to Budget Time Please Be Our Valentine.
John Collins
1957/02/14
M965.199.523
Tea for Two.
Tea for Two.
John Collins
About 1964
M965.199.2679

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.