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Cartoon - The Kick in the End of the Stocking. | McCord Museum
Le coup de pied du bas de Noël
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Le coup de pied du bas de Noël

Cartoon

The Kick in the End of the Stocking.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1967
Medium / Technique Ink, blue pencil and opaque white pigment on paper
Dimensions36.7 x 28.9 cm
Origin Canada
Object NumberM965.199.2724
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Concentrating on the Wrong End.
Concentrating on the Wrong End.
John Collins
About 1963
M965.199.7290
"Aren't You Looking at the Wrong End of the Book ?".
"Aren't You Looking at the Wrong End of the Book ?".
John Collins
About 1964
M965.199.2677
Ready to Fill His Own Stocking.
Ready to Fill His Own Stocking.
John Collins
About 1945
M965.199.428
The Empty Stocking.
The Empty Stocking.
John Collins
About 1939
M965.199.4110
Big Gun-Big Kick.
Big Gun-Big Kick.
John Collins
About 1949
M965.199.5997
Bigger the Gun, Bigger the Kick.
Bigger the Gun, Bigger the Kick.
John Collins
1949
M965.199.8349
The Kick-Off.
The Kick-Off.
John Collins
1952
M965.199.5429
That Kick-Off Technique.
That Kick-Off Technique.
John Collins
About 1969
M965.199.6959
For a Couple of Fellows Who Aren't Running They Sure Kick Up a Lot of Dust.
For a Couple of Fellows Who Aren't Running They Sure Kick Up a Lot of Dust.
John Collins
1958
M965.199.6294
All Ready for the Kick-Off.
All Ready for the Kick-Off.
John Collins
About 1965
M965.199.1473
Thoughts While Hanging Up a Stocking.
Thoughts While Hanging Up a Stocking.
John Collins
About 1952
M965.199.5483
Christmas Stockings in Ottawa.
Christmas Stockings in Ottawa.
John Collins
About 1950
M965.199.9806

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.