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Cartoon - Not His Style. | McCord Museum
Ce n'est pas son style
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Ce n'est pas son style

Cartoon

Not His Style.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1964
Medium / Technique Ink, blue pencil and opaque white pigment on paper
Dimensions36.9 x 29.1 cm
Origin Canada
Object NumberM965.199.2696
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
When Fidel Plays his Tuba Down in Cuba.
When Fidel Plays his Tuba Down in Cuba.
John Collins
About 1962
M965.199.7013
Showing Off His Strength.
Showing Off His Strength.
John Collins
About 1963
M965.199.9184
"How About Trying a Texas-Style Barbecue, Pardner ?".
"How About Trying a Texas-Style Barbecue, Pardner ?".
John Collins
About 1964
M965.199.2630
High Time He Let His Right Hand Know What His Left Is Doing.
High Time He Let His Right Hand Know What His Left Is Doing.
John Collins
1949
M965.199.1385
Hard to Keep His Mind on His Work.
Hard to Keep His Mind on His Work.
John Collins
1948
M965.199.8252
His Bark Is Worse than His Bite.
His Bark Is Worse than His Bite.
John Collins
About 1953
M965.199.5359
Taking His Mind Off His Work.
Taking His Mind Off His Work.
John Collins
About 1939
M965.199.4253
Taking His Mind Off His Work ?.
Taking His Mind Off His Work ?.
John Collins
1940/01/24
M965.199.1979
Time His Left Hand Knew What His Right is Doing.
Time His Left Hand Knew What His Right is Doing.
John Collins
About 1946
M965.199.104
A Dog and His Bones.
A Dog and His Bones.
John Collins
About 1953
M965.199.7365
Following His Nose.
Following His Nose.
John Collins
1956
M965.199.8696
A Touch of Texas in His Talk.
A Touch of Texas in His Talk.
John Collins
About 1959
M965.199.5017

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.