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Cartoon - Beginning to Feel Airsick Already. | McCord Museum
Il commence déjà à avoir le mal de l'air
Il commence déjà à avoir le mal de l'air

Cartoon

Beginning to Feel Airsick Already.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1963
Medium / Technique Ink, blue pencil and opaque white pigment on paper
Dimensions36.8 x 29.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2599
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Lost the Spare Already.
Lost the Spare Already.
John Collins
About 1964
M965.199.2636
We're Already Too Big for Our Bridges.
We're Already Too Big for Our Bridges.
John Collins
About 1955
M965.199.392
We've already got 3-D television
We've already got 3-D television
John Collins
About 1953
M965.199.1231
One Pipe Line Already in Operation.
One Pipe Line Already in Operation.
John Collins
About 1953
M965.199.9895
We've Already Launched our Space Satellite.
We've Already Launched our Space Satellite.
John Collins
About 1957
M965.199.5598
"I Can Smell Smoke Already".
"I Can Smell Smoke Already".
John Collins
About 1953
M965.199.7359
We've Been through the Wringer Already.
We've Been through the Wringer Already.
John Collins
About 1962
M965.199.3830
Already Running in the Next Race.
Already Running in the Next Race.
John Collins
About 1967
M965.199.5874
Lost Its Glitter Already.
Lost Its Glitter Already.
John Collins
About 1965
M965.199.974
Shedding Already.
Shedding Already.
John Collins
1967
M965.199.9273
"We Already Have a Policy of Bilingualism".
"We Already Have a Policy of Bilingualism".
John Collins
About 1969
M965.199.6921
Always Feel the Squeeze.
Always Feel the Squeeze.
John Collins
About 1950
M965.199.307

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.