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Cartoon - Manassa Mauler the Middle-Man To-Night. | McCord Museum
Manassa Mauleur sera l'arbitre ce soir
Manassa Mauleur sera l'arbitre ce soir

Cartoon

Manassa Mauler the Middle-Man To-Night.
Artist (1917-2007)
SignatureL. c. within image, JOHN COLLINS
Date 1945-1950
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions38.4 x 36.5 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2568
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
The Man in the Middle.
The Man in the Middle.
John Collins
About 1952
M965.199.5504
Middle Man.
Middle Man.
John Collins
About 1961
M965.199.3765
To-Night's the Night.
To-Night's the Night.
John Collins
About 1945
M965.199.2427
Harvest Time in the Middle East.
Harvest Time in the Middle East.
John Collins
1956
M965.199.1061
Right in the Middle of the Dress Shirt.
Right in the Middle of the Dress Shirt.
John Collins
1959
M965.199.6047
And the Railroad Goes Through the Middle of the House.
And the Railroad Goes Through the Middle of the House.
John Collins
About 1957
M965.199.504
Caught in the Middle.
Caught in the Middle.
John Collins
About 1948
M965.199.3644
New Tourist Attraction in the Middle East.
New Tourist Attraction in the Middle East.
John Collins
1961
M965.199.3638
Caught in the Middle.
Caught in the Middle.
John Collins
About 1950
M965.199.9834
"My Policy is a Policy of Middle Way"-Erhard.
"My Policy is a Policy of Middle Way"-Erhard.
John Collins
About 1963
M965.199.2757
A Midwinter Night's Dream.
A Midwinter Night's Dream.
John Collins
About 1947
M965.199.248
No Line-Up Shuffle To-Night.
No Line-Up Shuffle To-Night.
John Collins
1945-1950
M965.199.9463

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.