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Cartoon - Hard Nut to Crack. | McCord Museum
Une défaite pour les Royals
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Une défaite pour les Royals

Cartoon

Hard Nut to Crack.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1945-1946
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions36.7 x 29.1 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2461
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
A Hard Defence to Crack.
A Hard Defence to Crack.
John Collins
About 1939
M965.199.4266
Mending the Crack in the Liberty Bell.
Mending the Crack in the Liberty Bell.
John Collins
About 1964
M965.199.2826
The Spreading Crack.
The Spreading Crack.
John Collins
About 1957
M965.199.8518
Our Davy Hasn't Patched Up the Crack in the Liberty Bell.
Our Davy Hasn't Patched Up the Crack in the Liberty Bell.
John Collins
About 1955
M965.199.5293
Cracks in Humpty's Wall.
Cracks in Humpty's Wall.
John Collins
About 1944
M965.199.4521
The First Crack.
The First Crack.
John Collins
1941/10/02
M965.199.3220
Trying to Cover the Crack.
Trying to Cover the Crack.
John Collins
About 1965
M965.199.1624
The Crack in the Bell.
The Crack in the Bell.
John Collins
About 1964
M965.199.1672
Crack in the Crystal Ball.
Crack in the Crystal Ball.
John Collins
About 1960
M965.199.9349
The Brazil Nut, One of the Toughest South American Nuts Cracked
The Brazil Nut, One of the Toughest South American Nuts Cracked
Arthur George Racey
1932
M2005.23.56
Finding It Hard to Get Together.
Finding It Hard to Get Together.
John Collins
About 1951
M965.199.7732
Hard to Keep His Eye on the Ball.
Hard to Keep His Eye on the Ball.
John Collins
About 1947
M965.199.8186

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.