Skip to main content
Collections Menu
Cartoon - In the Spring an Old Man's Fancy. | McCord Museum
En effeuillant la marguerite
En effeuillant la marguerite

Cartoon

In the Spring an Old Man's Fancy.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1943/05/28
Medium / Technique Ink, crayon, graphite and opaque white pigment on card
Dimensions38.1 x 28.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.2101
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
In the Spring an Old Man's Fancy-.
In the Spring an Old Man's Fancy-.
John Collins
About 1947
M965.199.8335
In the Spring a Young Man's Fancy.
In the Spring a Young Man's Fancy.
John Collins
About 1954
M965.199.7550
In the Spring a Young Man's Fancy ...
In the Spring a Young Man's Fancy ...
John Collins
1940/03/19
M965.199.1747
In the Spring a Young Man's Fancy-.
In the Spring a Young Man's Fancy-.
John Collins
About 1944
M965.199.4401
White Man's Burden.
White Man's Burden.
John Collins
About 1965
M965.199.937
One Man's Family.
One Man's Family.
John Collins
1965
M965.199.1452
In the Spring a Young Party's Fancy-.
In the Spring a Young Party's Fancy-.
John Collins
About 1961
M965.199.9316
Takes More Than a Haircut to Change the Inside of a Man's Head.
Takes More Than a Haircut to Change the Inside of a Man's Head.
John Collins
About 1947
M965.199.233
No Man's Land.
No Man's Land.
John Collins
About 1962
M965.199.3804
White Man's Burden.
White Man's Burden.
John Collins
1942/08/03
M965.199.3426
Blind Man's Bluff.
Blind Man's Bluff.
John Collins
1941/02/22
M965.199.3043
Blind Man's Bluff.
Blind Man's Bluff.
John Collins
1943/04/20
M965.199.2075

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.