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Cartoon - This Nero Plays Second Fiddle. | McCord Museum
Ce Néron joue second violon.
Ce Néron joue second violon.

Cartoon

This Nero Plays Second Fiddle.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940/12/23
Medium / Technique Ink, crayon, opaque white pigment and graphite on card
Dimensions38.1 x 28.5 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1969
CollectionMcCord
CreditGift of John Collins - The Gazette

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Won't Play Second Fiddle.
Won't Play Second Fiddle.
John Collins
About 1958
M965.199.6325
Won't Play Second Fiddle.
Won't Play Second Fiddle.
John Collins
About 1959
M965.199.5173
Playing Second Fiddle Is an Important Job Too.
Playing Second Fiddle Is an Important Job Too.
John Collins
1949
M965.199.8398
One Man in His Time Plays Many Parts.
One Man in His Time Plays Many Parts.
John Collins
About 1958
M965.199.1201
Still Calling the Plays.
Still Calling the Plays.
John Collins
About 1948
M965.199.1127
What Trick Plays Will Come Out of It ?.
What Trick Plays Will Come Out of It ?.
John Collins
1952
M965.199.5205
When Fidel Plays his Tuba Down in Cuba.
When Fidel Plays his Tuba Down in Cuba.
John Collins
About 1962
M965.199.7013
"I Brought Along My Own Plays".
"I Brought Along My Own Plays".
John Collins
About 1965
M965.199.1461
They Laughed When We Sat Down to Play.
They Laughed When We Sat Down to Play.
John Collins
1942/12/04
M965.199.3508
Play Ball !.
Play Ball !.
John Collins
About 1948
M965.199.2432
Two Can Play at that Game.
Two Can Play at that Game.
John Collins
1945
M965.199.4891
They Laughed When We Sat Down to Play
They Laughed When We Sat Down to Play
John Collins
About 1944
M965.199.5688

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.