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Cartoon - Uneasy Street. | McCord Museum
Rue mal famée
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Rue mal famée

Cartoon

Uneasy Street.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date 1940/01/04
Medium / Technique Ink, crayon, opaque white on Cardboard
Dimensions38.4 x 28.0 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1689
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Uneasy Lies the Head-.
Uneasy Lies the Head-.
John Collins
1944
M965.199.4787
Uneasy Bedfellows.
Uneasy Bedfellows.
John Collins
About 1962
M965.199.7235
Uneasy Lies the Head.
Uneasy Lies the Head.
John Collins
About 1946
M965.199.2867
"Uneasy Lies the Head..."
"Uneasy Lies the Head..."
Frank Duggan
About 1941-1955
M2001.74.34
Conrad Sauvé, Montreal Mayoralty Candidate,  Gets Uneasy Feeling During His Campaign Launcy
Conrad Sauvé, Montreal Mayoralty Candidate, Gets Uneasy Feeling During His Campaign Launcy
Serge Chapleau
1998
M999.81.175
Man in the Street.
Man in the Street.
John Collins
1942/10/05
M965.199.3383
No More Dead-End Streets.
No More Dead-End Streets.
John Collins
1943/08/09
M965.199.2161
The Sleuths of Diefenbaker Street.
The Sleuths of Diefenbaker Street.
John Collins
1965
M965.199.998
Paris Street Scene.
Paris Street Scene.
John Collins
1946
M965.199.61
A Traffic Cop Should Watch Sides of the Street.
A Traffic Cop Should Watch Sides of the Street.
John Collins
About 1946
M965.199.9558
Maybe the Old Lady Doesn't Want to Be Helped across the Street.
Maybe the Old Lady Doesn't Want to Be Helped across the Street.
John Collins
About 1961
M965.199.3664
Ready to Help Him Across the Street.
Ready to Help Him Across the Street.
John Collins
About 1968
M965.199.6802

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.