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Cartoon - The Latest Model. | McCord Museum
Le tout dernier modèle
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Le tout dernier modèle

Cartoon

The Latest Model.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1965
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.9 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1644
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Here Comes the Latest Model.
Here Comes the Latest Model.
John Collins
1967
M965.199.9606
Latest Sports Report from Winnipeg.
Latest Sports Report from Winnipeg.
John Collins
1967
M965.199.6475
The Marx Brothers' Latest Comedy.
The Marx Brothers' Latest Comedy.
John Collins
1939
M965.199.4112
The Latest Channel Swimmer.
The Latest Channel Swimmer.
John Collins
1940/08/07
M965.199.1859
Not Exactly the Latest Style.
Not Exactly the Latest Style.
John Collins
About 1965
M965.199.1534
The Latest Explosion.
The Latest Explosion.
John Collins
About 1958
M965.199.6179
The Latest Thing-A Split-Level White House.
The Latest Thing-A Split-Level White House.
John Collins
About 1955
M965.199.7938
Latest Triumph of Russian Science.
Latest Triumph of Russian Science.
John Collins
About 1961
M965.199.3701
The Very Model of a Model Secretary-General.
The Very Model of a Model Secretary-General.
John Collins
About 1961
M965.199.3649
Trying to Call Back Another Model.
Trying to Call Back Another Model.
John Collins
About 1967
M965.199.9609
"And What's Wrong with the Model We Have ?.
"And What's Wrong with the Model We Have ?.
John Collins
About 1966
M965.199.1436
Traded it in on another Old Model.
Traded it in on another Old Model.
John Collins
1965
M965.199.939

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.