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Cartoon - Take a Look in the Rear View Mirror. | McCord Museum
Regardez dans le rétroviseur
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Regardez dans le rétroviseur

Cartoon

Take a Look in the Rear View Mirror.
Artist (1917-2007)
SignatureL. r. within image, JOHN COLLINS
Date About 1956
Medium / Technique Ink and graphite on paper
Dimensions36.8 x 28.3 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.158
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Too Bad the Makers Can't Instal a Pre-View Mirror.
Too Bad the Makers Can't Instal a Pre-View Mirror.
John Collins
About 1949
M965.199.5981
Front View-And Rear.
Front View-And Rear.
John Collins
About 1954
M965.199.7489
We Might Take a Look at the Welcome Mat.
We Might Take a Look at the Welcome Mat.
John Collins
About 1954
M965.199.7962
Better Take Another Look, Chum.
Better Take Another Look, Chum.
John Collins
1947
M965.199.7448
Time to Take a Look.
Time to Take a Look.
John Collins
About 1967
M965.199.5930
Maybe We Should Take Another Look at Aesop.
Maybe We Should Take Another Look at Aesop.
John Collins
About 1967
M965.199.5871
"Mirror, Mirror, on the Wall-".
"Mirror, Mirror, on the Wall-".
John Collins
1962
M965.199.3689
"Mirror, Mirror, on the Wall".
"Mirror, Mirror, on the Wall".
John Collins
About 1964
M965.199.2787
Mirror, Mirror, on the Wall-.
Mirror, Mirror, on the Wall-.
John Collins
About 1960
M965.199.8890
"Mirror, Mirror, on the Wall-".
"Mirror, Mirror, on the Wall-".
John Collins
About 1960
M965.199.3708
Mirror, Mirror, on the Wall-.
Mirror, Mirror, on the Wall-.
John Collins
About 1967
M965.199.5893
"Mirror, Mirror, on the Wall-".
"Mirror, Mirror, on the Wall-".
John Collins
About 1967
M965.199.9250

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.