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Cartoon - The Magnificent Men in their Flying Machines. | McCord Museum
Ces hommes magnifiques dans leurs machines volantes
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Ces hommes magnifiques dans leurs machines volantes

Cartoon

The Magnificent Men in their Flying Machines.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date 1965
Medium / Technique Ink, graphite and opaque white pigment on card
Dimensions36.9 x 29.2 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1482
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Peace Plan "Flying a Kite" Admits Mr. Martin.
Peace Plan "Flying a Kite" Admits Mr. Martin.
John Collins
About 1967
M965.199.5856
More Unidentified Flying Objects.
More Unidentified Flying Objects.
John Collins
About 1966
M965.199.798
Flying at Last.
Flying at Last.
John Collins
1965
M965.199.1622
Identified Flying Object.
Identified Flying Object.
John Collins
About 1967
M965.199.5812
Trouble with the Flying Carpet.
Trouble with the Flying Carpet.
John Collins
About 1951
M965.199.7712
French Answer to the Flying Saucer.
French Answer to the Flying Saucer.
John Collins
About 1955
M965.199.7926
Kite Flying Time.
Kite Flying Time.
John Collins
About 1947
M965.199.8339
Landing Gear for the Flying Carpet.
Landing Gear for the Flying Carpet.
John Collins
About 1953
M965.199.7355
The Daring Young Man on the Flying Trapeze.
The Daring Young Man on the Flying Trapeze.
John Collins
About 1953
M965.199.7335
Kite Flying Time.
Kite Flying Time.
John Collins
About 1962
M965.199.3612
Kite Flying on Parliament Hill.
Kite Flying on Parliament Hill.
John Collins
About 1955
M965.199.9870
Moths in our Flying Carpet.
Moths in our Flying Carpet.
John Collins
About 1958
M965.199.1280

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.