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Cartoon - Still Waiting for It to Fall. | McCord Museum
On attend toujours que ça tombe
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On attend toujours que ça tombe

Cartoon

Still Waiting for It to Fall.
Artist (1917-2007)
SignatureL. l. within image, JOHN COLLINS
Date About 1958
Medium / Technique Ink, graphite and opaque white pigment on paper
Dimensions37.2 x 29.4 cm
Origin Montreal, Quebec, Canada
Object NumberM965.199.1089
CollectionMcCord
CreditGift of John Collins - The Gazette
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Still Waiting at the Church.
Still Waiting at the Church.
John Collins
About 1946
M965.199.9847
Still Waiting Under the Mistletoe.
Still Waiting Under the Mistletoe.
John Collins
About 1948
M965.199.8579
Still Waiting.
Still Waiting.
John Collins
About 1958
M965.199.6167
Waiting for the Ax to Fall.
Waiting for the Ax to Fall.
John Collins
1945-1950
M965.199.2528
Still Waiting for Someone Else to Hold the Line.
Still Waiting for Someone Else to Hold the Line.
John Collins
1949
M965.199.8446
Still Waiting Under the Mistletoe.
Still Waiting Under the Mistletoe.
John Collins
1944-1945
M965.199.4831
Still Waiting at the Church.
Still Waiting at the Church.
John Collins
About 1951
M965.199.6110
Thoughts While Waiting at a Bus Stop.
Thoughts While Waiting at a Bus Stop.
John Collins
About 1957
M965.199.505
Lady in Waiting.
Lady in Waiting.
John Collins
1949-1950
M965.199.5097
We're Waiting for Your Answer, Nikita.
We're Waiting for Your Answer, Nikita.
John Collins
About 1961
M965.199.3646
Waiting for the Budget to Come Up.
Waiting for the Budget to Come Up.
John Collins
About 1947
M965.199.1318
Waiting for a Prince Charming.
Waiting for a Prince Charming.
John Collins
About 1952
M965.199.5546

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.