Skip to main content
Collections Menu
Cartoon - Weapons of mass destruction | McCord Museum
Armes de destruction massive...
View PDF
Armes de destruction massive...
Armes de destruction massive...

Cartoon

Weapons of mass destruction
Artist (Né / Born 1945)
SignatureL.l., SChapleau03 6-5
Date 2003
Medium / Technique Graphite and newsprint
Collage
Dimensions43.3 x 35.8 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.166.29
CollectionMcCord
CreditGift of Serge Chapleau
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Elimination of weapons of mass destruction continues in Iraq
Elimination of weapons of mass destruction continues in Iraq
Serge Chapleau
2003
M2005.166.62
George W. Bush finds no weapons of mass destruction in Iraq
George W. Bush finds no weapons of mass destruction in Iraq
Garnotte
2002
M2009.50.209
Chrétien on Nuclear Weapons at Home
Chrétien on Nuclear Weapons at Home
Serge Chapleau
1997
M998.51.11
Evolution of Weapons Through the Ages
Evolution of Weapons Through the Ages
Serge Chapleau
2001
M2002.131.165.1-2
New Weapons, Same Aim.
New Weapons, Same Aim.
John Collins
About 1956
M965.199.10086
Speaking of Secret Weapons.
Speaking of Secret Weapons.
John Collins
1944/04/04
M965.199.2343
Weapons and Famine
Weapons and Famine
Arthur George Racey
1941
M2005.23.9
Choosing their Weapons.
Choosing their Weapons.
John Collins
1960
M965.199.3884
Our Secret Weapons.
Our Secret Weapons.
John Collins
About 1952
M965.199.5383
Suggesting a Change in Weapons.
Suggesting a Change in Weapons.
John Collins
About 1949
M965.199.8363
Choosing their Weapons.
Choosing their Weapons.
John Collins
About 1952
M965.199.5508
Switching Weapons.
Switching Weapons.
John Collins
1956/06/28
M965.199.8526

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.