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Albumen print
Mrs. J. G. Day's baby, Montreal, QC, 1868
Photographer
William Notman
(1826-1891)
SignatureNon signé / Unsigned
Date
1868
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions8.5 x 5.6 cm
Origin
Montreal, Quebec, Canada
Object NumberI-32804.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Newport from Glen Brook, Judge Day's house, Lake Memphremagog, QC, 1867
William Notman
1867
N-0000.94.24
Judge Day's house, Glen Brook, Lake Memphremagog, QC, 1867
William Notman
1867
N-0000.94.23
Returning after a day's work, seal hunt, 1926-1927
Frederick W. Berchem
1926-1927
MP-1984.126.2.97
Inuit with caribou carcases, after "one days hunt on the patrol", 1917(?)
Captain George E. Mack
1917?
MP-0000.597.460
Stowing part of a day's catch of seals on after deck of S. S. "Nascopie", 1927
Captain George E. Mack
1927
MP-1984.126.2.77
Part of a day's catch, seal hunt, 1926-1927
Frederick W. Berchem
1926-1927
MP-1984.126.2.78
Kekerten whaling station in its last days, Cumberland Sound, 1922-23
Captain George E. Mack
1922-1923
M20107.172
Horseback parade of Mounties and aboriginals, Banff Indian Days, Banff, AB, 1929
Frank Randall Clarke
1929/07
MP-1988.55.2.44P
S. S. "Bayeskimo" two days before she sank in Ungava Bay, NU, 1925, copied in 1970-1980
Frederick W. Berchem
Copied in 1970-1980
MP-1984.130.100
Stowing part of a day's catch of seals on after deck of S. S. "Nascopie", 1926-1927, copied in 1970-1980
Captain George E. Mack
Copied in 1970-1980
MP-1984.130.212
The building after five days of work, Chesterfield Inlet, Nunavut, 1920
Robert L. Ridley
1920
M2013.36.2.1.254
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.