Skip to main content
Collections Menu
Cartoon - Theory and Practice, Graduation Day and Later | McCord Museum
La théorie et la pratique
View PDF
La théorie et la pratique

Cartoon

Theory and Practice, Graduation Day and Later
Artist (1870-1941)
SignatureB., A. G. Racey
Date 1930-1936
Medium / Technique Ink and graphite
Dimensions37 x 53.4 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.165
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Finis, the Day After or the First and Last "Father's Day"
Finis, the Day After or the First and Last "Father's Day"
Arthur George Racey
1930-1935
M2005.23.243
St. Valentine's Day
St. Valentine's Day
Arthur George Racey
About 1935
M2005.23.201
A Sad Day
A Sad Day
Arthur George Racey
1929
M2005.23.192
May Ist, King for a Day
May Ist, King for a Day
Arthur George Racey
1930-1935
M2005.23.84
Remembrance Day 1940
Remembrance Day 1940
Arthur George Racey
1940
M2005.23.59
The Old Protection Swimming Hole
The Old Protection Swimming Hole
Arthur George Racey
1930
M2005.23.256
Fickle Fatima and Her Oily Wiles
Fickle Fatima and Her Oily Wiles
Arthur George Racey
1918-1928
M2005.23.257
Euler's Plan for Canadian Railway Solvency
Euler's Plan for Canadian Railway Solvency
Arthur George Racey
1920-1930
M2005.23.255
The Thoughtless Boomerang Thrower
The Thoughtless Boomerang Thrower
Arthur George Racey
1920-1930
M2005.23.260
What Does He See?
What Does He See?
Arthur George Racey
1920-1930
M2005.23.261
Total Chaos
Total Chaos
Arthur George Racey
1929
M2005.23.258
Brazil's Revolutionary Egg Dance
Brazil's Revolutionary Egg Dance
Arthur George Racey
1930-1934
M2005.23.259

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.