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Cartoon - Anxious Seat | McCord Museum
Les murs ont des oreilles
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Les murs ont des oreilles

Cartoon

Anxious Seat
Artist (1870-1941)
SignatureL.r., A. G. Racey
InscriptionsWritten in pencil above cartoon: "Leaders of both parties in the U.S. House are planning a show-down vote on prohibition repeal of the opening of Congress for the lame-duck session." Washington Dispatch
Date 1933
Medium / Technique Ink and graphite
Dimensions42.2 x 33 cm
Origin Montreal, Quebec, Canada
Object NumberM2005.23.55
CollectionMcCord
CreditGift of Susan Racey Godber and Margaret Racey Stavert
Status
Not on view

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
Hitler Caught by the Seat of His Pants
Hitler Caught by the Seat of His Pants
Arthur George Racey
1924-1925?
M2005.23.335
The Anxious Seat.
The Anxious Seat.
John Collins
1943/06/26
M965.199.2125
His Usual Method, Running True to Form
His Usual Method, Running True to Form
Arthur George Racey
1923
M2005.23.141
A Partial Eclipse of Paris
A Partial Eclipse of Paris
Arthur George Racey
1914-1918
M2005.23.144
Mars
Mars
Arthur George Racey
1926-1930
M2005.23.146
The Over-Enthusiastic Watch Dog or a Dignified Retreat
The Over-Enthusiastic Watch Dog or a Dignified Retreat
Arthur George Racey
1920-1933
M2005.23.147
Is Canada Asleep?
Is Canada Asleep?
Arthur George Racey
1926-1930
M2005.23.145
Summer Sports
Summer Sports
Arthur George Racey
1920-1930
M2005.23.150
End of the Runaway
End of the Runaway
Arthur George Racey
1918?
M2005.23.151
Not Even the Meanest Criminal Would Do This
Not Even the Meanest Criminal Would Do This
Arthur George Racey
1920-1928
M2005.23.148
Summer Studies, This Freedom
Summer Studies, This Freedom
Arthur George Racey
1933
M2005.23.149
The Artist and the Critic
The Artist and the Critic
Arthur George Racey
1927
M2005.23.154

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.