Skip to main contentAlbumen print - Mrs. Henry Sandham's little girl Gwendoline, posed for a composite, Montreal, QC, 1876 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
Mrs. Henry Sandham's little girl Gwendoline, posed for a composite, Montreal, QC, 1876
Photography studio
William Notman Studio
(1863-1877)
SignatureNon signé / Unsigned
Date
1876
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberII-23361.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Mrs. Henry Sandham's little girl Gwendoline, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23363.1
Arthur, Gwendoline and Isabella, Henry Sandham's children, Montreal, QC, 1877
William Notman Studio
1877
II-45245.1
Mrs. Henry Sandham's baby Isabella, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23364.1
Mrs. Henry Sandham and her children Isabella and Gwendoline, composite, Montreal, QC, 1876
William Notman Studio
1876
II-23536.1
Missie Gwendoline Sandham, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23362.1
Mrs. Henry Sandham, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23320.1
Mrs. Henry Sandham, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23321.1
Mr. Henry Sandham and baby Isabella, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23365.1
Mrs. Monck's little girl, posed for a composite, Montreal, QC, 1876
William Notman Studio
1876
II-23572.1
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.