Skip to main content
Collections Menu
Cartoon - Where The Pinch Comes | McCord Museum
Le profiteur
Le profiteur

Cartoon

Where The Pinch Comes
Artist (1866-1949)
SignatureL. l. within image, Rostap
Date 1904
Medium / Technique Ink on card stock
DimensionsOverall: 25.5 x 17.7 cm
Origin Toronto, Ontario, Canada
Object NumberM2001X.6.43.2.87
CollectionMcCord

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
First comes the water, then comes the money
First comes the water, then comes the money
Garnotte
1996
M2007.69.81
Mother, Dear Mother, Come Home With Me Now
Mother, Dear Mother, Come Home With Me Now
Rostap
1905
M2001X.6.43.5.92
May It Come To This
May It Come To This
Rostap
1897
M2001X.6.43.6.68
The Tide Comes In
The Tide Comes In
John Collins
1944
M965.199.4595
Now Comes the Real Test of Horsemanship.
Now Comes the Real Test of Horsemanship.
John Collins
About 1966
M965.199.1419
April Fool Comes at the Wrong End of the Month.
April Fool Comes at the Wrong End of the Month.
John Collins
About 1966
M965.199.914
Maxime Bernier can say what he likes, but sometimes the burka comes in handy!
Maxime Bernier can say what he likes, but sometimes the burka comes in handy!
Garnotte
2008
M2011.90.383
Question: what comes right after Christmas?
Question: what comes right after Christmas?
Garnotte
2012
M2019.45.229
Here Comes the Latest Model.
Here Comes the Latest Model.
John Collins
1967
M965.199.9606
Pierre Elliott Trudeau comes to defence of Third World
Pierre Elliott Trudeau comes to defence of Third World
Duncan Macpherson
1982?
M2012.123.620
Santa Claus Comes to Town.
Santa Claus Comes to Town.
John Collins
About 1954
M965.199.5366
March Comes in Like a Lion.
March Comes in Like a Lion.
John Collins
About 1960
M965.199.9359

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.