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Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
G. S. Veith, Montreal, QC, 1919
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1919
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberII-233408
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
G. S. Veith, Montreal, QC, 1921
Wm. Notman & Son Ltd.
1921
II-241263
Portrait of an unidentified woman, painting by F. S. Coburn, 1919, copied for F. S. Coburn
Wm. Notman & Son
1919-1920
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House, about 1898, copied for Mrs. G. S. Wheatley in 1919
Inconnu / Unknown
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II-231404.0
Aerial view, copied for Lieutenant Colonel G. S. Cantlie in 1919
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Copied in 1919
II-228939.0
Chinese scene, drawing by and copied for G. W. L. Bladen, 1919
Wm. Notman & Son
1919-1920
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Signatures, copied for James G. Ross in 1919
Wm. Notman & Son
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II-231820.A
Military group, London, England, copied for James G. Ross in 1919
Wm. Notman & Son
Copied in 1919
II-231820.0
Christ, 1909, painting by Guido Nincheri, copied ca.1919 for G. Nincheri
Wm. Notman & Son
1919-1920
VIEW-18491
Major E. G. Norsworthy, painting by and copied for George Horne Russell, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18649
U. S. Plant Factory of Lyall group, 1919
Wm. Notman & Son
1919
II-230260
Portrait of an unidentified woman, painting by F. S. Coburn, 1919, copied for Mrs. E. J. Lambert
Wm. Notman & Son
1919-1920
VIEW-18413.0
Portrait of an unidentified woman, painting by and copied for F. S. Coburn, 1919
Wm. Notman & Son
1919-1920
VIEW-18402
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.