Skip to main contentGelatin silver glass plate negative - Thomas Foster and lady, Montreal, QC, 1888 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Thomas Foster and lady, Montreal, QC, 1888
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1888/03/05
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions21.6 x 16.5 cm
Origin
Montreal, Quebec, Canada
Object NumberII-86171
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Thomas J. Drummond, Montreal, QC, 1888
Wm. Notman & Son
1888/07/11
II-87155
W. E. Thomas and lady, Montreal, QC, 1921
Wm. Notman & Son Ltd.
1921
II-242960
Painting of lady, photographed for Mrs. Brainard in 1888
Wm. Notman & Son
1888/09/16
II-87575
Thomas G. Henderson, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
II-268296
Thomas G. Henderson, Montreal, QC, 1925
Wm. Notman & Son Ltd.
1925
II-268295
Living room, for Mrs. Thomas, Montreal, QC, 1918
Wm. Notman & Son
1918
VIEW-17420
Hall, for Mrs. Thomas, Montreal, QC, 1918
Wm. Notman & Son
1918
VIEW-17419
Interior of a room, for Mrs. Thomas, Montreal, QC, 1918
Wm. Notman & Son
1918
VIEW-17418
Dining room, for Mrs. Thomas, Montreal, QC, 1918
Wm. Notman & Son
1918
VIEW-17416
The Thomas Workman Mechanical Workshops, McGill University, Montreal, QC, about 1910
Wm. Notman & Son
1907-1912
VIEW-2637
Thomas Workman's house, Sherbrooke Street, Montreal, QC, 1912-13
Wm. Notman & Son
1912-1913
VIEW-12850
Thomas Workman's house, Sherbrooke Street, Montreal, QC, 1912-13
Wm. Notman & Son
1912-1913
VIEW-12853
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.