Skip to main contentAlbumen print - Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
Photographer
William Notman
(1826-1891)
SignatureNon signé / Unsigned
Date
1868
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberI-30060.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30057.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
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I-30058.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30056.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30063.1
Adolphe Vogt, Henry Sandham, and John Fraser, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30064.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30062.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman Studio
1868
I-30061.1
Adolphe Vogt, John Fraser and Henry Sandham, Notman staff, Montreal, QC, 1868
William Notman
1868
I-30059.1
Henry Sandham, Notman staff artist, posed for a composite, Montreal, QC, 1871
William Notman
1871
I-65409.1
Horses in field, painting by Adolphe Vogt, copied for Watson Art Gallery, 1925
Wm. Notman & Son Ltd.
1925
VIEW-23539
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.