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Gelatin silver glass plate negative
A. Harris and pennyfarthing, Bicycle Club, Montreal, QC, 1885
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1885/10/26
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberII-78664
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Horace Joyce and pennyfarthing, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/16
II-78561
R. F. Smith and pennyfarthing, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/22
II-78614.1
G. T. Bishop and pennyfarthing, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/20
II-78594.1
Horace Joyce and pennyfarthing, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/11
II-78859.1
C. R. Briggs and pennyfarthing, Montreal, QC, 1885
Wm. Notman & Son
1885/10/20
II-78588
Mr. C. H. McLeod, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/30
II-78698
Mr. William G. Ross, trophy cup and medals, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/20
II-78577
G. S. Low and medals, Bicycle Club, Montreal, QC, 1885
Wm. Notman & Son
1885/10/22
II-78619
Portrait of Andrew F. Gault, painting by Robert Harris, 1893
Wm. Notman & Son Ltd.
1921
VIEW-20128
Portrait of Sir Frederick Williams-Taylor (?), painting by H. Harris Brown, 1920
Wm. Notman & Son Ltd.
1921
VIEW-19873
Portrait of an unidentified woman, painting by H. Harris Brown, 1921
Wm. Notman & Son Ltd.
1921
VIEW-19896
Self-portrait, painting by Robert Harris, photographed in 1916
Wm. Notman & Son
1916
VIEW-16294
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.