Skip to main contentGelatin silver glass plate negative - Map of the Klondyke and Indian River mining districts, drawn by E. Tappan Adney, 1898 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Map of the Klondyke and Indian River mining districts, drawn by E. Tappan Adney, 1898
Photographer
Edwin Tappan Adney
(1868-1950)
SignatureNon signé / Unsigned
Date
1898
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions10.2 x 12.7 cm
Origin
Canada
Object NumberMP-1979.111.45
CollectionMcCord
CreditTransfer from McGill University
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Dog Express, woman with bags, Dawson, YT, 1898
Edwin Tappan Adney
1898
MP-1979.111.39
Fish market showing 50 lb salmon, Dawson, YT, 1898
Edwin Tappan Adney
1898
MP-1979.111.32
Nugget from Chechabko Hill, on book, about 1920
Edwin Tappan Adney
About 1920
MP-1979.111.5
Chilcoots & dog, summit Dyea, BC (?), about 1900
Edwin Tappan Adney
About 1900
MP-1979.111.75
Miner's outfit for sale, Sheep Camp, near Dyea, YT (?), 1897
Edwin Tappan Adney
1897/09
MP-1979.111.82
Man & dog, near Dawson, YT, about 1900
Edwin Tappan Adney
About 1900
MP-1979.111.17
The Anderson Claim, Anvil Creek, Alaska, 1900
Edwin Tappan Adney
1900
MP-1979.111.207
Cape Nome gold nuggets, about 1900
Edwin Tappan Adney
About 1900
MP-1979.111.218
H. L. Blake panning on his claim on Buster Creek, Alaska, 1900
Edwin Tappan Adney
1900
MP-1979.111.212
Interior of bunk house, Teller City, Klondike, 1900
Edwin Tappan Adney
1900
MP-1979.111.215
A. C. Company's dog team, Dawson, YT, 1899
Edwin Tappan Adney
1899
MP-1979.111.36
Terlungna & husband working in their tent, Teller Reindeer Station, Alaska, 1900
Edwin Tappan Adney
1900/09
MP-1979.111.221
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.