Skip to main contentGelatin silver film negative - Walter Soulier, Anishinaabe, splitting a spruce root, ON, 1930 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver film negative
Walter Soulier, Anishinaabe, splitting a spruce root, ON, 1930
Artist
Edwin Tappan Adney
(1868-1950)
SignatureNon signé / Unsigned
Date
1930/07
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions16.1 x 21.1 cm
Origin
Canada
Object NumberMP-0000.2141.2
CollectionMcCord
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Walter Soulier, Anishinaabe, washing socks, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.4
Rock paintings near tip of Fairy Point, Lake Missinabie, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.6
Rock paintings, Fairy Point, Lake Missinabie, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.8
Tip of Fairy Point, Lake Missinabie, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.7
Fairy Point, Lake Missinabie, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.9
Rock face at water's edge, Fairy Point, Lake Missinabie, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.10
Rock paintings at the Kettle, Little Missinabie Lake, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.17
Rock paintings at The Kettle, Little Missinabie Lake, ON, 1930
Edwin Tappan Adney
1930/07
MP-0000.2141.16
Rock face at water's edge, far end of Little Missinabie Lake, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.19
Rock paintings, second location, far end of Little Missinabie Lake, ON, 1930
Edwin Tappan Adney
1930
MP-0000.2141.20
Street scene in Nome, Alaska, about 1900
Edwin Tappan Adney
About 1900
MP-1979.111.74
Nome Street and Steadman Avenue, Nome, Alaska, about 1900
Edwin Tappan Adney
About 1900
MP-1979.111.169
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.