Skip to main contentAlbumen print - Mrs. Frances Michael, painting, copied 1863 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
Mrs. Frances Michael, painting, copied 1863
Photographer
William Notman
(1826-1891)
SignatureNon signé / Unsigned
Date
1863
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions8.5 x 5.6 cm
Origin
Canada
Object NumberI-9397.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8275.1
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8274.1
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8277.1
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8276.1
Mrs. Edward (Frances Anne) Hopkins as a shepherdess, Montreal, QC, 1863
William Notman
1863/05
I-7335.1
Mrs. Edward (Frances Anne) Hopkins as "Portia", Montreal, QC, 1863
William Notman
1863/05
I-7336.1
Mrs. Edward (Frances Anne) Hopkins as "Portia", Montreal, QC, 1863
William Notman
1863/05
I-7337.1
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8277
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8274
Mrs. Edward (Frances Anne) Hopkins as "Portia", Montreal, QC, 1863
William Notman
1863/05
I-7337
Mrs. Edward (Frances Anne) Hopkins as a shepherdess, Montreal, QC, 1863
William Notman
1863/05
I-7335
Mrs. Edward (Frances Anne) Hopkins, artist, Montreal, QC, 1863
William Notman
1863
I-8275
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.