Skip to main contentAlbumen print - E. B. Nixon, posed for Merchant of Venice composite, Montreal, QC, 1872 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Albumen print
E. B. Nixon, posed for Merchant of Venice composite, Montreal, QC, 1872
Photographer
William Notman
(1826-1891)
SignatureNon signé / Unsigned
Date
1872
Medium / Technique
Silver salts on paper mounted on paper
Albumen process
Albumen process
Dimensions17.8 x 12.7 cm
Origin
Montreal, Quebec, Canada
Object NumberI-71756.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Mr. Budden, posed for Merchant of Venice composite, Montreal, QC, 1872
William Notman
1872
I-71755.1
Mr. McGibbon, posed for Merchant of Venice composite, Montreal, QC, 1872
William Notman
1872
I-71751.1
Master Hope, posed for Merchant of Venice composite, Montreal, QC, 1872
William Notman Studio
1872
I-71821
Miss Lusher, for "The Merchant of Venice" composite, Montreal, QC, 1872
William Notman
1872
I-71732.1
Preliminary sketch for Merchant of Venice composite, Montreal, QC, 1872
William Notman
1872
I-71700.1
Master Foster as "Shylock" in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71705.1
Miss Lusher in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71731.1
Miss Cartier in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71746.1
Miss Hutchins in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71747.1
Master MacPherson in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71752.1
Master K. MacPherson in "The Merchant of Venice", Montreal, QC, 1872
William Notman
1872
I-71783.1
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.