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Gelatin silver print
Alexandra Hospital, Pointe St. Charles, Montreal, QC, 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on paper
Gelatin silver process
Gelatin silver process
Dimensions20.6 x 25.5 cm
Origin
Montreal, Quebec, Canada
Object NumberVIEW-19545.1
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Alexandra Hospital, Pointe St. Charles, Montreal, QC, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19545
Alexandra Hospital, Pointe St. Charles, Montreal, QC, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19546
Alexandra Hospital, Point St. Charles, Montreal, QC, about 1910
Inconnu / Unknown
1906-1914
MP-0000.879.11
Alexandra Hospital, Point St. Charles, Montreal, QC, about 1910
Inconnu / Unknown
1905-1914
MP-0000.879.12
Exchange Hotel, Pointe St. Charles, QC, 1883
Wm. Notman & Son
1883/10
II-70806
Portrait of an unidentified man playing chess, painting by Charles Gill, 1905, copied for Mr. St. Pierre in 1920
Wm. Notman & Son Ltd.
1920
VIEW-19225
Alexandra Hospital, Montreal, QC, 1912
Wm. Notman & Son
1912
VIEW-11931
Sir Robert G. Reid Pavilion, Alexandra Hospital, Montreal, QC, about 1910
Wm. Notman & Son
About 1910
VIEW-8739
Two women, painting by Charles-Ernest De Belle, copied 1920-21
Wm. Notman & Son Ltd.
Copied in 1920-1921
VIEW-19728.0
Portrait of an unidentified man, painting by Joseph-Charles Franchère, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19708
Two seated young women, painting by Charles-Ernest De Belle, copied 1920
Wm. Notman & Son Ltd.
1920
VIEW-19716
Dockside scene, painting by Charles W. Simpson, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19703
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.