Skip to main contentGelatin silver film negative - Fielding & Hobb's Farm, near Rosebud, AB, about 1920 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver film negative
Fielding & Hobb's Farm, near Rosebud, AB, about 1920
Photography studio
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
About 1920
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions19.8 x 24.9 cm
Origin
Canada
Object NumberVIEW-8601
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Fielding & Hobb's Farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8596
Fielding & Hobb's farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8601.1
Fielding & Hobb's farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8596.1
Bestul & Morris Farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8600
Danish wheat farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8595
Johnston & Hazenbaugh's Farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8597
Harvesting on Johnston & Hazenbaugh's Farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8598
Bestul & Morris Farm, near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8599
Fulton Bros. farm near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8629
Manix and Markle farms near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8623
O. N. Gilbert's farm near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8624
W. E. Hymas wheat farm near Rosebud, AB, about 1920
Wm. Notman & Son
About 1920
VIEW-8612
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.