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Gelatin silver glass plate negative
Drawing logs to the saw mill, NS, 1915 (?)
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1915?
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions10.1 x 12.6 cm
Origin
Canada
Object NumberVIEW-8395
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Logs in the dam at the lumber mill, Daley's Siding(?), QC, 1916 (?)
Wm. Notman & Son
1916?
VIEW-5868
Conveyor with series of saw blades, cutting logs for pulp and paper mill, Trois-Rivières, QC, ca. 1914
Harry Sutcliffe
About 1914
M2011.64.2.2.162.1
Sending logs down the stream, Jacquet River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8131
Cutting large log, Royal City Saw Mills, New Westminster, BC, 1887
William McFarlane Notman
1887
VIEW-1780
Logs on the Nipisiquit River, near Bathurst, NB, 1914
Wm. Notman & Son
1914
VIEW-5057
Horses pulling logs, painting by F. S. Coburn, 1920
Wm. Notman & Son Ltd.
1920
VIEW-19698
Abitibi Pulp Co. logs in Low Bush River, Abitibi district, ON, 1916 (?)
Wm. Notman & Son
1916?
VIEW-5806
Hoisting logs from river to saws for paper industry, Trois-Rivières(?), QC, ca. 1914
Harry Sutcliffe
About 1914
M2011.64.2.2.196.1
Saw mill, painting by Maurice Cullen, copied for Art Gallery 1915
Wm. Notman & Son
1915
VIEW-15017
Saw logs in the St. Maurice River, QC, about 1910
Inconnu / Unknown
1905-1914
MP-0000.1195.5
Ox team with logs and George G. Foster, copied in 1928
Inconnu / Unknown
Copied in 1928
VIEW-24419.0
Ox team with logs and George G. Foster, copied in 1928
Inconnu / Unknown
Copied in 1928
VIEW-24418.0
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.