Skip to main contentGelatin silver glass plate negative - Looking across the Kennebacasis River at Norton, NB, 1915 (?) | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Looking across the Kennebacasis River at Norton, NB, 1915 (?)
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1915?
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions10.1 x 12.6 cm
Origin
Canada
Object NumberVIEW-8233
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Looking up the Kennebacasis River near St. John, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8224
Indian Encampment near head waters, Kennebacasis River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8225
Kennebacasis River head waters, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8226
Looking up from the bank of the river at Douglas Boom, St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8179
Hampton Station Courthouse looking to Kennelbacasis River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8230
Looking up from Douglas Boom, St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8178
Looking over Miramichi River from Stewart Hill, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8160
Edmunston from across river, N.B., about 1915
Wm. Notman & Son
About 1915
VIEW-5319
Looking up Upsalquitch River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2847
Looking down Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2846
Looking up Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2843
Looking down Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2842
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.