Skip to main contentGelatin silver glass plate negative - Looking across the Kennebacasis River at Norton, NB, 1915 (?) | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Looking across the Kennebacasis River at Norton, NB, 1915 (?)
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1915?
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions10.1 x 12.6 cm
Origin
Canada
Object NumberVIEW-8233
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Looking up the Kennebacasis River near St. John, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8224
Indian Encampment near head waters, Kennebacasis River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8225
Kennebacasis River head waters, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8226
Looking up from the bank of the river at Douglas Boom, St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8179
Hampton Station Courthouse looking to Kennelbacasis River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8230
Looking up from Douglas Boom, St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8178
Looking over Miramichi River from Stewart Hill, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8160
Edmunston from across river, N.B., about 1915
Wm. Notman & Son
About 1915
VIEW-5319
Looking up Upsalquitch River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2847
Looking down Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2846
Looking up Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2843
Looking down Restigouche River, NB, 1898 (?)
Wm. Notman & Son
1898?
VIEW-2842
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.