Skip to main contentGelatin silver glass plate negative - British boat loading lumber, Campbellton, NB, 1915 (?) | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
British boat loading lumber, Campbellton, NB, 1915 (?)
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1915?
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions10 x 12.6 cm
Origin
Canada
Object NumberVIEW-8116
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Lumber mill at Campbellton, NB, 1914
Wm. Notman & Son
1914
VIEW-5093
Loading corn on river steamboat "Elaine", McGowan's Wharf, St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8212
Lumber boom on St. John River, NB, 1915 (?)
Wm. Notman & Son
1915?
VIEW-8218
Boat loading, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18292
Campbellton from Cross Point, NB, 1914
Wm. Notman & Son
1914
VIEW-5092
The Sugar Loaf Mountain, Campbellton, NB, 1914
Wm. Notman & Son
1914
VIEW-5091
The Sugar Loaf Mountain, Campbellton, NB, 1914
Wm. Notman & Son
1914
VIEW-5090
Campbellton, NB, painting by H. D. Young, about 1901
Wm. Notman & Son
About 1901
VIEW-3490
Restigouche River above Campbellton, NB, about 1908
Wm. Notman & Son
About 1908
VIEW-4358
Roadway above Campbellton, NB, about 1908
Wm. Notman & Son
About 1908
VIEW-4357
Fishing on Restigouche River, Flatlands, Campbellton, NB, about 1908
Wm. Notman & Son
About 1908
VIEW-4356
On the Restigouche River, Flatlands, Campbellton, NB, about 1908
Wm. Notman & Son
About 1908
VIEW-4354
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.