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Gelatin silver glass plate negative
Interior St. John the Evangelist, Montreal, QC, about 1900
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
About 1900
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.5 x 20.4 cm
Origin
Montreal, Quebec, Canada
Object NumberVIEW-3606
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Interior St. John the Evangelist, Montreal, QC, about 1900
Wm. Notman & Son
About 1900
VIEW-3607
Interior St. John the Evangelist, Montreal, QC, about 1900
Wm. Notman & Son
About 1900
VIEW-3605
Interior, St. John the Evangelist Church, Montreal, QC, about 1896
Wm. Notman & Son
About 1896
VIEW-2814
Interior St. John the Evangelist Church, Montreal, QC, 1885
Wm. Notman & Son
1885/04/08
II-77018
Tablet, St. John the Evangelist Church, Montreal, QC, 1906
Wm. Notman & Son
1906/03/20
VIEW-8702
Interior, St. John the Evangelist Church, Montreal, QC, about 1896
Wm. Notman & Son
About 1896
VIEW-2814.1
Interior, St. Patrick's Church, Montreal, QC, about 1900
Wm. Notman & Son
About 1900
VIEW-8710
Interior pulp mill, Ouiatchouan Falls, Val Jalbert, Lake St. John, QC, about 1903
Wm. Notman & Son
About 1903
VIEW-3543
Interior pulp mill, Ouiatchouan Falls, Val Jalbert, Lake St. John, QC, about 1903
Wm. Notman & Son
About 1903
VIEW-3544
Interior, Mrs. Charles G. Hope's house, Drummond St., Montreal, QC, 1900
Wm. Notman & Son
1900/06/12
II-134274
Interior of offices, Laurentide Pulp Mills, Grand'Mère, QC, about 1900
Wm. Notman & Son
About 1900
VIEW-3516
Interior of store, Laurentide Pulp Mills, Grand'Mère, QC, about 1900
Wm. Notman & Son
About 1900
VIEW-3514
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.