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Gelatin silver film negative - Letter regarding a Hoppner painting, copied 1932-33 | McCord Museum
Lettre au sujet d'une peinture de Hoppner, copie réalisée en 1932-1933
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.
Lettre au sujet d'une peinture de Hoppner, copie réalisée en 1932-1933
You can freely copy, modify and distribute this image, even for commercial purposes. Need more information about image licensing or a higher resolution image? Read our Photographic Services and Copyright page.

Gelatin silver film negative

Letter regarding a Hoppner painting, copied 1932-33
Photography studio (1919-1954)
SignatureL. r. within image, M. Hebert
Date 1932-1933
Medium / Technique Silver salts on film
Gelatin silver process
Dimensions24.8 x 19.8 cm
ClassificationCommunication Objects - Documentary Objects - Graphic Documents
Origin Canada
Object NumberVIEW-25310
DivisionPhotography - Notman Photographic Archives
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

Information about rights and reproductions is available here.

Online Collections | McCord Museum - Montreal Social History Museum
Portrait of an unidentified woman, painting by John Hoppner, copied for Johnson Art Gallery 1932-33
Gelatin silver film negative
Portrait of an unidentified woman, painting by John Hoppner, copied for Johnson Art Gallery 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25309
Naked girl and man with scimitar, painting, copied for Watson Art Gallery, 1932-33
Gelatin silver film negative
Naked girl and man with scimitar, painting, copied for Watson Art Gallery, 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25280
Waterscape with sailing ship, painting, copied for Watson Art Gallery, 1932-33
Gelatin silver film negative
Waterscape with sailing ship, painting, copied for Watson Art Gallery, 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25278
Frederick E. Meredith, painting by Lilias Torrance Newton, copied 1932-33
Gelatin silver film negative
Frederick E. Meredith, painting by Lilias Torrance Newton, copied 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25271
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Gelatin silver film negative
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25270
Charlotte Anguish, painting by John Hoppner, copied 1936
Gelatin silver film negative
Charlotte Anguish, painting by John Hoppner, copied 1936
Wm. Notman & Son Ltd.
1936
VIEW-25944
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Gelatin silver print
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25270.1
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Gelatin silver print
Miss A. Cook, painting, copied for Mr. Shepherd, 1932-33
Wm. Notman & Son Ltd.
1932-1933
VIEW-25270.2
Red and White Review Chorus, Montreal, QC, 1932-33
Gelatin silver film negative
Red and White Review Chorus, Montreal, QC, 1932-33
Wm. Notman & Son Ltd.
1933
II-303982
Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Gelatin silver film negative
Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Wm. Notman & Son Ltd.
1932
VIEW-25239
Chapel, Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Gelatin silver film negative
Chapel, Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Wm. Notman & Son Ltd.
1932
VIEW-25235
Hall, Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Gelatin silver film negative
Hall, Joseph C. Wray funeral parlour, Mountain St., Montreal, QC, 1932-33
Wm. Notman & Son Ltd.
1932
VIEW-25255

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.