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Gelatin silver film negative
Nude, painting by and copied for Miss Eve Heneker, 1929
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1929
Medium / Technique
Silver salts on film
Gelatin silver process
Gelatin silver process
Dimensions24.8 x 19.7 cm
Origin
Canada
Object NumberVIEW-24743
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Shed interior, painting by and copied for Miss Eve Heneker, 1929
Wm. Notman & Son Ltd.
1929
VIEW-24742
Still life, painting by and copied for Miss Eve Heneker, 1926
Wm. Notman & Son Ltd.
1929
VIEW-24740
Chimney and rooftops, painting by and copied for Miss Eve Heneker, 1927
Wm. Notman & Son Ltd.
1929
VIEW-24739
Telegraph poles, painting by and copied for Miss Eve Heneker, 1926
Wm. Notman & Son Ltd.
1929
VIEW-24741
Trees, painting by and copied for Miss Eve Heneker, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24892
Landscape, painting by and copied for Miss Eve Heneker, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24885
Street scene with houses, painting by and copied for Miss Eve Heneker, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24884
Street scene with telegraph posts, painting by and copied for Miss Eve Heneker, 1926
Inconnu / Unknown
1930
VIEW-24891.0
Reclining nude, painting by Jean-Jacques Henner, copied for Scott & Sons 1929
Wm. Notman & Son Ltd.
1929
VIEW-24601
Nude bather, painting, copied for Miss E. La Siseraye, 1926-27
Wm. Notman & Son Ltd.
1926-1927
VIEW-23853
Two nudes, painting by Edwin Holgate, photographed for Art Gallery 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26090
Nude bathing, painting by Pierre Auguste Renoir, photographed 1937-39
Wm. Notman & Son Ltd.
1937-1939
VIEW-26079
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.