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Gelatin silver glass plate negative - Mrs. John Redpath, painting by Wyatt Eaton, 1892, photographed for Mrs. Bovey in 1928 | McCord Museum
Portrait de Mme John Redpath, peinture de Wyatt Eaton, 1892, photographiée pour Mme Bovey en 1928
Portrait de Mme John Redpath, peinture de Wyatt Eaton, 1892, photographiée pour Mme Bovey en 1928

Gelatin silver glass plate negative

Mrs. John Redpath, painting by Wyatt Eaton, 1892, photographed for Mrs. Bovey in 1928
Photography studio (1919-1954)
SignatureNon signé / Unsigned
Date 1928
Medium / Technique Silver salts on glass
Gelatin dry plate process
Dimensions25.2 x 20.2 cm
Origin Canada
Object NumberVIEW-24451
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.

Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.

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Online Collections | McCord Museum - Montreal Social History Museum
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William Budden (1793-1834), painting photographed for Miss Budden in 1928
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Wm. Notman & Son Ltd.
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Barbara Anne Pitcher, painting by Gertrude Des Clayes, photographed for Mrs. Pitcher in 1921
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Portrait of an unidentified woman, painting by G. Szalodhy (?), 1928, copied for Mrs. Perodeau
Portrait of an unidentified woman, painting by G. Szalodhy (?), 1928, copied for Mrs. Perodeau
Wm. Notman & Son Ltd.
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Mrs. Craig, painting by and copied for George Horne Russell, 1928
Mrs. Craig, painting by and copied for George Horne Russell, 1928
Wm. Notman & Son Ltd.
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Mr. Thomas Bassett Macaulay, painting by John Wycliffe Lewis Forster, photographed in 1925
Mr. Thomas Bassett Macaulay, painting by John Wycliffe Lewis Forster, photographed in 1925
Wm. Notman & Son Ltd.
1925
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Mrs. John Platt (née Ann Wragg), painting photographed for Mr. Adam Skaife in 1903
Mrs. John Platt (née Ann Wragg), painting photographed for Mr. Adam Skaife in 1903
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1903/01/16
II-144578

This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.