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Gelatin silver glass plate negative
Waterscape, painting by Harry Britton, copied 1920
Photography studio
Wm. Notman & Son Ltd.
(1919-1954)
SignatureNon signé / Unsigned
Date
1920
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions20.2 x 25.3 cm
Origin
Canada
Object NumberVIEW-19712
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Status
Not on viewInformation about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
Harbour scene, painting by Harry Britton, copied 1916
Wm. Notman & Son
1916
VIEW-16300
Market scene, painting by Harry Britton, 1914, copied in 1915 for Art Association
Wm. Notman & Son
1915
VIEW-15411
Old people, painting by Harry Britton, 1918-20
Wm. Notman & Son
1918-1920
VIEW-17970
Waterscape with sailing ship, painting by A. Bristoe, 1928, copied for Scott & Sons
Wm. Notman & Son Ltd.
1930
VIEW-24842
Waterscape with sailing ship, painting, copied for Scott & Sons, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24841
Waterscape, painting by James Wilson Morrice, copied for Watson Art Gallery, 1930-31
Wm. Notman & Son Ltd.
1930
VIEW-24898
Waterscape, painting, copied 1922
Wm. Notman & Son Ltd.
1922
VIEW-20539
Waterscape, painting by Maurice Cullen, copied for Watson Gallery 1924
Wm. Notman & Son Ltd.
1924
VIEW-23136
Waterscape, painting by William Brymner, copied for Watson Art Gallery 1925
Wm. Notman & Son Ltd.
1925
VIEW-23426
Waterscape, painting, copied for Watson Art Gallery, 1927
Wm. Notman & Son Ltd.
1927
VIEW-24263
Waterscape, painting by J. Voerman, copied for Scott & Sons, 1926-27
Wm. Notman & Son Ltd.
1926-1927
VIEW-24074
Waterscape, painting by Sir D. Y. Cameron, copied for Scott & Sons 1926-27
Wm. Notman & Son Ltd.
1926-1927
VIEW-24073
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.