Skip to main contentGelatin silver glass plate negative - Portrait of an unidentified woman, painting by A. C. G. Lapine, copied 1918-20 | McCord Museum Online Collections | McCord Museum - Montreal Social History Museum
Gelatin silver glass plate negative
Portrait of an unidentified woman, painting by A. C. G. Lapine, copied 1918-20
Artist
Wm. Notman & Son
(1882-1919)
SignatureNon signé / Unsigned
Date
1918-1920
Medium / Technique
Silver salts on glass
Gelatin dry plate process
Gelatin dry plate process
Dimensions25.3 x 20.2 cm
Origin
Canada
Object NumberVIEW-17975
CollectionMcCord
CreditPurchase, funds graciously donated by Maclean’s magazine, the Maxwell Cummings Family Foundation and Empire-Universal Films Ltd.
Information about the objects in our collection is updated to reflect new research findings. If you have any information to share regarding this object, please email reference.mccord@mccord-stewart.ca.Information about rights and reproductions is available here.
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Wm. Notman & Son Ltd.
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Wm. Notman & Son
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Dancing girls, painting attributed to C.-E. De Belle, copied 1918-20
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1918-1920
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Portrait of a soldier, painting by and copied for George Horne Russell, 1918-20
Wm. Notman & Son
1918-1920
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Portrait of an unidentified woman, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18279
Portrait of an unidentified woman, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18287
Portrait of an unidentified woman, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
VIEW-18284
Portrait of an unidentified woman, painting, copied for H. Drummond, 1919-20
Wm. Notman & Son
1919-1920
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Scottish Baronial House (?), painting, copied 1918-20
Wm. Notman & Son
1918-1920
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Children skipping rope, painting by Berthe Des Clayes, copied 1918-20
Wm. Notman & Son
1918-1920
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Man and horses, painting by Alice Des Clayes, copied 1918-20
Wm. Notman & Son
1918-1920
VIEW-17959
Landscape, painting by Percy Franklin Woodcock, copied 1918-20
Wm. Notman & Son
1918-1920
VIEW-17958
This project is made possible thanks to the generous support of the Azrieli Foundation and Canadian Heritage.